Portfolio
My work explores memory as an active force—something carried, revisited, and reshaped over time. These paintings and prints move through lived experience, where personal history, environment, and moments of transition continue to inform how images are constructed.
Across bodies of work, I return to questions of movement, endurance, and recognition. Figures and forms often exist in compressed or transitional spaces, holding tension rather than resolving it. The work is not concerned with illustrating memory, but with working through it—allowing it to surface, shift, and take form.
Painting
These paintings emerge from lived experience shaped by movement, memory, and environment. Figures often appear in compressed spaces—train interiors, rooms, or undefined thresholds—where time feels suspended and layered.
The work holds tension between stillness and motion. Forms repeat, overlap, and accumulate, suggesting continuity across moments rather than fixed narratives. What appears quiet on the surface carries an underlying current, where memory is not static, but active and unfolding.
Printmaking
Printmaking in my practice is a space for developing form through reduction and repetition. These works begin to isolate ideas that appear across the paintings, allowing them to take on a more direct and symbolic presence.
Emerging from this process is a developing visual language grounded in lived experience. Forms such as The Shift and The Rising Force begin to take shape—representing movement, adaptation, and endurance as ongoing conditions rather than fixed states.
These works are part of an ongoing exploration, where image and meaning are still being defined.
